Tag: street photography

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Crossing Geometry



Archive Note

Created over the course of a week in Washington, D.C. and New York City, this collection continues an exploration of geometry, light, reflection, and fleeting human presence. Together, these photographs document recurring visual relationships that continue to shape the evolving language of this archive.



17 July 2026

Location
Washington, DC, USA
New York City, NY, USA

Camera
Olympus OM-D E-M10 Mark IV

Lens
Laowa 7.5mm

Focal Length
(35mm Equvalent) 15mm

Category
Geometry & Presence

Process
Hanheld, Available light, Single Exposure, Processed in Lightroom

Reflection

Over time, I have become increasingly drawn to the relationship between gridlines and light. The 15mm perspective has finally given form to a visual language I had been trying to articulate for years. Rather than simply recording architecture, it reveals the underlying geometry that quietly shapes the spaces we move through.


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Archive Note


Created over the course of a week in Washington, D.C. and New York City, this collection follows an uninterrupted practice of observation across two cities. Rather than pursuing a single subject, the photographs gather recurring moments of architecture, transit, light, and human presence, documenting the quiet continuity of seeing that continues to shape the evolving language of this archive.



26 July 2026

Location
Washington, DC, USA
New York City, NY, USA

Camera
Olympus OM-D E-M10 Mark IV

Lens
Laowa 7.5mm

Focal Length
(35mm Equivalent) 15mm

Category
Urban Observtions

Process
Hanheld, Available Light, Single Exposure, Processed in Lightroom


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The One Eyed King


18 August 2022

Location
Washington, DC, USA

Camera
Olympus OM-D E-M5 Mark II

Lens
Lumix 14mm

Focal Length
(35mm) 28mm

Category
Reflection & Human Presence

Process
Handheld, Availble Light, Single Exposure, Process in Lightroom


Reflection

I have long been drawn to gritty textures, layered surfaces, and unorthodox uses of reflection. Rather than treating reflections as mirrors, I see them as visual interruptions—elements that fracture space, obscure certainty, and invite multiple readings of the same scene, allowing multiple worlds to exist within a single frame. Alongside light and geometry, they remain one of the visual languages I return to most often. During this period, I often reflected on the allegory of the one-eyed king—the idea that perception is shaped less by what we look at than by how we choose to see. The illuminated EXIT sign became more than a symbol of departure; it became a quiet metaphor for transformation.


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  • “now listen i’m the beneficent. travel the whole damn distance. for instance, my science connects to form a sentence. paragraphs i craft like graphite. my son keep your head up like a giraffe. shit is getting drastic. i’m a classic like the ’67 chevy yet incredibly new. you know my pedigree’s better than medicine. my measurements, five foot seven and a half one mass of every element, positive gas. my knowledge is everlasting, read while I’m fasting. the feats that i achieve will make a rapper retire. like zachariah, my gun fire, sundry a raisin. blazing, the man, the messiah, the fans admire….”
  • 70DS > kings
  • “no great pretender”
  • @artbyprop
  • @kushgrooveshop
  • jimmy’s tire. massachusetts