Ontologically witnessing the continuum of another’s essence is a privilege that we, as photographers, should deeply honor.
This access is a gift.
Washington, D.C.
09.03.26
Tag: street photography
Crossing Geometry
Archive Note
Created over the course of a week in Washington, D.C. and New York City, this collection continues an exploration of geometry, light, reflection, and fleeting human presence. Together, these photographs document recurring visual relationships that continue to shape the evolving language of this archive.
17 July 2026
Location
Washington, DC, USA
New York City, NY, USA
Camera
Olympus OM-D E-M10 Mark IV
Lens
Laowa 7.5mm
Focal Length
(35mm Equvalent) 15mm
Category
Geometry & Presence
Process
Hanheld, Available light, Single Exposure, Processed in Lightroom
Reflection
Over time, I have become increasingly drawn to the relationship between gridlines and light. The 15mm perspective has finally given form to a visual language I had been trying to articulate for years. Rather than simply recording architecture, it reveals the underlying geometry that quietly shapes the spaces we move through.
Archive Note
Created over the course of a week in Washington, D.C. and New York City, this collection follows an uninterrupted practice of observation across two cities. Rather than pursuing a single subject, the photographs gather recurring moments of architecture, transit, light, and human presence, documenting the quiet continuity of seeing that continues to shape the evolving language of this archive.
26 July 2026
Location
Washington, DC, USA
New York City, NY, USA
Camera
Olympus OM-D E-M10 Mark IV
Lens
Laowa 7.5mm
Focal Length
(35mm Equivalent) 15mm
Category
Urban Observtions
Process
Hanheld, Available Light, Single Exposure, Processed in Lightroom
A Celebration… A Ceremony… For Mr. Curtis.
Hour Reflection
circa 2020
🎶: slow meadow – semolina
The One Eyed King
18 August 2022
Location
Washington, DC, USA
Camera
Olympus OM-D E-M5 Mark II
Lens
Lumix 14mm
Focal Length
(35mm) 28mm
Category
Reflection & Human Presence
Process
Handheld, Availble Light, Single Exposure, Process in Lightroom
Reflection
I have long been drawn to gritty textures, layered surfaces, and unorthodox uses of reflection. Rather than treating reflections as mirrors, I see them as visual interruptions—elements that fracture space, obscure certainty, and invite multiple readings of the same scene, allowing multiple worlds to exist within a single frame. Alongside light and geometry, they remain one of the visual languages I return to most often. During this period, I often reflected on the allegory of the one-eyed king—the idea that perception is shaped less by what we look at than by how we choose to see. The illuminated EXIT sign became more than a symbol of departure; it became a quiet metaphor for transformation.
“nothing rest; everything moves; everything vibrates” 
“now listen i’m the beneficent. travel the whole damn distance. for instance, my science connects to form a sentence. paragraphs i craft like graphite. my son keep your head up like a giraffe. shit is getting drastic. i’m a classic like the ’67 chevy yet incredibly new. you know my pedigree’s better than medicine. my measurements, five foot seven and a half one mass of every element, positive gas. my knowledge is everlasting, read while I’m fasting. the feats that i achieve will make a rapper retire. like zachariah, my gun fire, sundry a raisin. blazing, the man, the messiah, the fans admire….” 
70DS > kings 
“no great pretender” 
@artbyprop 
@kushgrooveshop 
jimmy’s tire. massachusetts
